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Showing posts with label psychology. Show all posts
Showing posts with label psychology. Show all posts

Saturday, May 19, 2012

Veneficium

Asylum Arcanum is a ruthless, disturbing glimpse into the scarred history of insane asylums.  The book itself is heavy and informative, despite several grammatical errors. Photographs document the rise and demise of “Kirkbride” asylums. These asylums were infamous for such practices as lobotomies, electroshock therapy, and forced sterilizations. The book offers some insight into the doctors who instigated such notorious treatments, and their tragic stories of good intentions gone awry. Once their revolutionary methods were criticized, of course they rabidly defended their life’s work to the bitter end, performing more and more appalling treatments in vain attempts to prove their effectiveness. What resulted was a vicious cycle of  corruption and reform.
Morbid curiosity is one thing, but Asylum Arcanum delves deeper than that. The authors (W. Cummings and J. Schwartz) had not only interest, but a profound respect for the lives of the otherwise forgotten inmates of such establishments.  Immortalized by this book, these people retain a  semblance of dignity of which they were deprived during their lifetimes.

The accompanying CD features a variety of tracks ranging from rhythmic noise with soft soundclips (think Pink Floyd’s “One Of These Days”) to painfully high-pitched xylophones and bells (think Ozzy’s “Mr. Tinkertrain”).  Overall, the CD is ambient, atmospheric, and (dare I say it?) arcane.  Although the music complements the text and in fact enhances the reading experience, the whole CD lasts under 30 minutes and indeed becomes tedious if played any longer than that. Needless to say, these aren’t exactly party jams either. The CD is best listened to in solitude, as it embodies a sense of claustrophobic loneliness.
Asylum Arcanum is an experience, both visually and audibly, and it often proves to be too-close-for-comfort. However, as dark and disturbing as the past may be, acknowledgement and even reverence for it, has it’s rewards. Five stars outta five.

(Unfortunately, I can't find any info on this book on the internet. Also, I am too drunk to figure out how to upload audio samples.I'm also pretty sure that uploading the text is illegal.  You will be content to gaze into the mediocre photoshop skills which comprise the CD art, and the track list from the sleeve. But the whole thing exists, I swear! Unless... uh oh.)



Wednesday, December 28, 2011

Metal Mythos Part 3: Brave New World

     Metal, like the Opera, has evolved from lurid melodrama to a profound narrative delivered by music and theatrics. By no means am I implying that Power Metal is not without it's allure. It exemplefies the Dionysian indulgence which defines the very genre, with a raw edge of which the polished artists of today are incapable. However, guilty pleasures such as Manowar lack something profound which can be found elsewhere, such as (for example) Amon Amarth. Early metal incorporated mythology in a campy manner, but now mythology is more than a mere gimmick. Now the myths are at the forefront, and theatrics take a supporting role (heh.)

      Immortal prophecies, existential tragedies, and metaphorical fables flavor the contemporary manifestation of Metal. Viking Metal in particular is characterized by dark personal tragedies, almost nihilistic in nature. Symphonic Metal is essentiallly a modernization of ancient Operatic themes, ranging from betrayal to mercy killings to perpetual vendettas. Artist such as Nightwish have incorporated elements of fantasy into their orchestral compositions, as an onslaught of Pathos can be hard to bear without a unicorn or two to lighten the deal.

     Even when the storylines themselves are not true to their origins, the themes of Metal still borrow from the mysticism of elders and ancestors. The phemomenon of Folk Metal is a testament to this fact. This musical movement features native acoustic instruments, otherwise known as "Grandpaz Guitarz", and utilizes them in conjunction with thrashy electric guitars and pounding kick-beats. Eluveitie are masters of this art, using bagpipes to accentuate the harsh melody. Such is the brave new world of metal and mythology.